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桜の吹雪


Original Title:  湯を沸かすほどの熱い愛 (Yu wo Wakasu Hodo no Atsui Ai)
Director: Nakano Ryota
Distributor: Klock Worx
Release Date: October 29, 2016
Cast: Miyazawa Rie, Sugisaki Hana, Odagiri Joe, Matsuzaka Tori
Genre: Family, drama, slice of life
Notes: 2 hours and 5 minutes, bagged numerous awards in 40th Japan Academy Film Prize, 26th Japanese Movie Critics Awards, etc.

Review:

This film was so good I might as well tell you to stop reading this review and watch it right now. No kidding. Do yourself a favor and watch it. Right now.

If that isn't convincing enough, then continue reading and welcome aboard.


Our story centers around the protagonist Futaba who has a daughter bullied in school and a closed public bath business, thanks to the disappearance of her husband one year ago. Then, she found out she has a terminal cancer and that her days are numbered. So she decided to hire a private investigator to locate her husband. It was a quick search and Futaba managed to bring his husband home, with his child from another woman. They soon opened the public bath with all the members of the family helping around. But that's just two from the list of things she was determined to do before she dies. And the rest will guarantee to make your heart melt and put tears in your eyes.


I love the general concept of the movie: the pure, selfless love a mother can give to her children, husband, and strangers. It also showed a dying mother's strength, courage, and wisdom and her ability to inspire and change people's lives despite the dreary horrors she was facing herself.

AtsuiAi was well-written, the dialogues were creative, appropriate, and spot on, the pacing was not too slow, not too fast, and every characters were carefuly knitted into a wonderful 3D persona easily capable of drawing out empathy from the audience. The way the characters grow and matured into better persons were also worth mentioning as it made them more human; it made me feel like we're watching a reflection of ourselves, of our families, and of society as a whole. I also love the side stories and the little unexpected twists which added flavor to an already excellent film. Themes like bullying and death were handled responsibly and realistically. The resolutions were also convincing and satisfying.


Each characters were portrayed by top-tier actors and actresses, especially Miyazawa-san and SugiHana. That was a powerful combination and I would love to see them in a different film as mother and daughter again. Odagiri Joe's role was annoying but my heart warmed up to him after some scenes and I also appreciate the comic relief he gave to the story. I already lost count the number of times I cried while watching this film, but I remembered even the youngest kid in the film tugged my heart. That just proved how well-picked the cast were.

Cinematography and editing of the film was also good though nothing spectacular. The music was apt and brought nostalgia and heart warming feels.

I definitely recommend this to everyone. It's a gem you shouldn't miss!(*゚▽゚)/゚・:*

Rating: ★★★★★
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Original Title: オーディション (Audition)
Author: Murakami Ryu
Translator: Ralph McCarthy
Published date: June 7, 2010
Publisher: W. W. Norton & Company, Inc.
Format: Paperback, 191 pages

Blurb:

Documentary-maker Aoyama hasn't dated anyone in the seven years since the death of his beloved wife, Ryoko. Now even his teenage son Shige has suggested he think about remarrying. So when his best friend Yoshikawa comes up with a plan to hold fake film auditions so that Aoyama can choose a new bride, he decides to go along with the idea.

Review:

Too many highfalutin words which made it harder to read. Too much details about Aoyama's backstory and it could be removed without hurting the plot. Despite of that, I really liked Murakami Ryu's writing style. He, indeed, has a way with words. I loved his descriptions and how he relates it to other things and make the readers feel what he wanted to convey.

"But sometimes things happen that no one hopes for. Events that cause everything you've worked hard towards, the life you've carefully constructed piece by piece, to come tumbling down all around you. No one is to blame, but you're left with a wound you can't heal on your own and can't believe you'll ever learn to accept, so you struggle to escape the pain. Only time can heal wounds as deep as that - a lot of time - and all you can really do is place yourself in its hands and try to consider the passing of each day a victory."

I was also impressed with his techniques at foreshadowing. I learned a lot from reading this book.

There was no likeable characters except Yamasaki Asami. Aside from the author's brilliant prose, she was the saving grace of the story. I was amazed about the way this character was created. The way the author described her was impeccable.

"She's like a smoke: you think you're seeing her clearly enough, but when you reach for her there's nothing there."
"She's either a saint or a monster. Maybe both extremes at once, but not somewhere in between."

I would love to read a version of this novel in her point of view. I was more intrigued with her than Aoyama's sickening monologues and infuriating viewpoint about certain things, like:

"There had to be something wrong with any woman who dreamed of being an actress."

Wow. Just one sentence and even though I never dreamed of becoming one, I was seriously trigged. Yoshikawa also said something equally provoking:

"There's no such thing as an actress with a stable personality."

Nevertheless, the climax of the story makes up for the lack of tension in the previous chapters. It was so intense I could hardly breathe. But the ending was just so-so. I was a fan of Audition's cult classic film adaptation and watched it more than twice. It was the main reason I badly wanted to own a copy and read this novel. Though I have a few disappointments as the movie was better than the original story, I think it was worth the read.

Rating: ★★★☆☆
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Original Title:  生きてるだけで、愛 (Ikiteru Dake de, Ai)
Director: Sekine Kosai
Distributor: Klock Worx
Release Date: Nov. 9, 2018
Cast: Shuri, Suda Masaki, Naka Riisa
Genre: Drama, romance, slice of life
Notes: Based on a novel, 1 hour and 49 minutes
cover of the original novel

Review:


The story is about Yasuko who lives with her boyfriend, Tsunagi, and does nothing all day but sleep. When she's awake, she's depressed and couldn't control her emotions. She doesn't work nor in school; not even helping with the household chores. Yes, she's annoying but wait, hear her story first.


Tsunagi, on the other hand, originally wanted to be a writer but ended up working in a gossip magazine which reveals celebrities' dark secrets, driving others to suicide. He has an ex-girlfriend, called Ando, who found out he lives with a hikikomori. She wanted to break them up by helping Yasuko stand on her own feet and find a job. Now, that's what makes the story interesting. However, it wasn't as easy as Ando thought it would be.


First of all, I like the execution of the movie, from its atmosphere, cinematography, etc. I love Shuri's realistic portrayal of a depressed hikikomori with hypersomnia. Her acting was on point, and as an audience, you could really feel the pain dripping from even her miniscule facial expressions.

However, I don't like how the other characters in this movie seemed to underestimate and ridicule depression. It's not something that can easily vanished just by working or bonding with people. Getting a job and going back to society are two good ways to start but that's not exactly a cure. Many working adults have depression, too.


Yasuko certainly needs help to take care of her mental health and the people around her didn't even seem to care. So, what if she doesn't have a health insurance or something? That shouldn't be a reason for them not to do something. Her nee-chan (older sister) seemed to care but didn't even bother to personally check on her. Is it because it's too troublesome? Whatever.

I understand that Tsunagi has his own sets of problem, too, but he decided to take Yasuko in and live with her, he should have done something rather than turning a blind eye to her mental issues. *sighs in japanese*

Overall, I still gave this movie a pretty high score because of Shuri's acting.

Rating: ★★★☆☆
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Original Title: 宇宙を駆けるよだか (Sora wo Kakeru Yodaka)
Network: Netflix
No. of Episodes: 6 episodes
Release Date: August 1, 2018
Cast: Kiyohara Kaya, Tomita Miu, Shigeoka Daiki, Kamiyama Tomohiro
Genre: Supernatural, romance, drama, psychological, youth
Notes: Based on a manga, 40 minutes per episode

Review:

I think this is the best teen drama I've ever watched. No kidding. I mean, most shoujo manga adaptations tend to be light and fluffy, cliche, and some has superficial plot, but this one's entirely different.


the lead characters from the original manga

Switching bodies theme is pretty popular and I'm personally fond of it. I've seen a few using these theme but I have never seen something as brilliant as Switched. Kawabata Shiki, the manga-ka, used the theme to its full potential and gave us a magnificent twist. And God, the way she plotted the whole story was simply amazing. I was absolutely deceived by her! Needless to say, the story alone is a solid 5/5 to me.



Now, let's go to the characters. The four lead characters were so relatable and I love how Kawabata-sensei purposely made them look stereotypical and perfect at first but were actually so very human. Just like how Ayumi-chan was the cliche popular Madonna of the class - rich, pretty, and has lots of friends, with two ikemen osananajimis (handsome childhood friends) who were both in love with her. But as we slowly found out more about her and the other characters, we realized how flawed they are, how their insecurities reflect ours.



I particularly love how despite the popular trope in shoujo manga using pretty girls as villains, Sensei proved that pretty girls can have a pretty heart and pure soul, too. I also love how Umine-chan was created because she was the most relatable character in the story. We knew exactly where she's coming from. Her resentment towards pretty and blessed individuals, to her negligent, poor mom, and to the whole world due to her pitiful fate was so real and raw to me. We can't really blame her for who she was. How her character developed, especially at the last scene, really melted my heart.


This show taught me that everyone, no matter how evil they once were, can change. And that you can still be pretty even if the society's standard considers you ugly. That there's more to life than we give physical appearance and popularity credit for. If you accept and love yourself, others will accept and love you too. If you reach out to others and have your real feelings conveyed, what you thought was an unbreakable barrier btween you and the others would instantly be destroyed and the world would be a better place. A place wherein you could pretty inside out without the need to drastically change how you physically look like.


I'm truly grateful for this show for making me realize such important life lessons because sometimes, I, myself, am very insecured about how I look like. This gave me the confidence boost to accept and love myself more. Because this is the body that God has given me.

I also would like to express how amazed I was with the portrayal of the four leads. What they did was certainly not easy as the characters have complex personalities, and the shuffle just made the hurdle higher but despite of these, they've managed to depict their respective roles perfectly I wanna cry. They are so talented actors and actresses that I wanna see them again in another drama!



Of course, I cannot end this review without giving my praises for the awesome script, cinematography, and OST of the drama. (In fact, I am still very much in love with its theme song, Dirt Luck (アカツキ) by Johnny's West.❤) They made the overall drama a masterpiece, garnering a perfect 5/5 from me. I'm really so glad that I've put Switched in my priority watch list after my friend recommended it to me. Kudos to Netflix as well for making this live action possible. Looking forward to more high-quality and impressive Japanese dramas produced by Netflix~!

Rating: ★★★★★ 
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Original Title: きのう何食べた? (Kinou Nani Tabeta?)
Network: TV Tokyo
No. of Episodes: 12
Release Date: April 5 - June 28, 2019
Cast: Nishijima Hidetoshi, Uchino Seiyo, Tanaka Misako, Yamamoto Koji, Isomura Hayato
Genre: Food, BL, slice of life
Notes: Based on a manga, 30 minutes per episode

the lead characters from the original manga

Review:

I've become aware of the existence of this drama because I've read somewhere on Twitter that it was really good. I later found out that it is a live action of a critically acclaimed manga which also bagged a Kodansha Manga Award. The drama also amassed several awards namely: the Galaxy Award, Best Drama, Best Actor, Best Screenplay, and Best Director in the recent 101st Television Drama Academy Awards (Spring 2019).




All the more reason to watch it, I thought. So, after I downloaded a couple of episodes, I watched it and immediately got hooked I want more.



What Did You Eat Yesterday? is a slice of life, food, and Boys Love (BL), or Yaoi, rolled into one delicious and domestic plot. It's about the life of a middle aged gay couple, Kakei Shiro, a serious and closeted gay lawyer, and Yabuki Kenji, a lively and openly gay hairdresser, in modern day Japan. It's honestly the first time I watched a BL drama within which the relationship of the gay characters were so realistically portrayed and handled perfectly by their respective actors (and its not just about looking absolutely like the original manga characters, the acting is on point like they are the characters themselves!) that I cried my heart out with all the feels it gave me.


Though there are already plenty of LGBT themed plots in manga and other similar media in Japan, there are relatively few in Japanese TV dramas. Probably because it's still a theme not widely accepted in Japan.

Some of the Jdramas I've watched that has this theme are:

  • Last Friends (2008) - portrays several issues, and one of them is gender identity disorder, which, in my opinion, was handled really well
  • Transit Girls (2015) - considered to be the first lesbian themed drama in the history of Japanese television, this is a love story between step sisters
  • Ossan's Love (2016 & 2018) - this drama became immensely popular inside and outside of Japan that a sequel movie has been released this year. It's about an unpopular straight guy who received two love confessions: one from his elderly boss at work and one from his male co-worker who he happens to live with him
  • Kataomoi (2017) - a murder mystery story which heavily deals with gender identity disorder
  • Joshi-teki Seikatsu (2018) - story about a transgender who moved from the countryside to the city to live as a girl.

This drama involves various issues faced by gay couples and being gay in general, such as society's expectations regarding gender roles, marriage, fidelity, filial piety, old age, etc. Their perspectives as a person considered 'not normal' by society and the perspectives of people in their lives about these topics will really stir your emotions. I honestly love every bits of this drama. So intricately weaved. Not to mention the generous amount of the scenes where the characters, mainly Shiro-san, cook their meals. The dishes don't just look mouth-watering, the procedure on how they are done are also calming and satisfying. If this drama is not a food for the soul, I don't know what is.

some of the food Shiro-san cooked for Kenji

With a good mixture of humor and drama, good food, and gay relationships, whether you are a fan of BL or not, this drama will absolutely not let you down. Trust me! (´。• ᵕ •。`) ❤ 

Rating: ★★★★★

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Original Title: 小説王 (Shousetsu Ou)
Network: Fuji TV
No. of Episodes: 10
Release Date: April-June 2019
Cast: Shirahama Alan, Koyanagi Yu, Sakuraba Nanami
Genre: friendship, drama
Notes: Based on a novel, 23 minutes per episode

book cover of the original novel and manga
Review:

I love stories about writers and the publishing world, and I've watched some which are extremely good like, Ghostwriter (novelist), Bakuman (manga artists) and Ito-kun A to E (scriptwriter), so when I've first read its title, I know for sure I will watch this.


The story takes place in modern day Japan wherein novels are considered to be a declining industry, so it was a lot harder for rookie novelists to get published. Publishers do not simply publish a book just because it's good. It must also be marketable. And in order for a book to be marketable, it needs to have a quality that will set it apart from the others. A book that can generate a particular impact to its reader that it will be etched in their mind. A book that is not just riding the trend but creates its own trend.

Yoshida Toyotaka, a popular writer ten years ago, who was on the verge of giving up writing novels, and his childhood friend, now a newbie editor who believes in his talent, Koyanagi Shuntaro, join forces to achieve their dream: to be the best novelist in Japan. To be the "King of Novels".


To be honest, the plot is exciting but quite ambitious. It seems inevitable that the audience will have high hopes toward the series. But if it will be pulled off well, it will certainly be of the best jdrama this season has to offer.

When I have started watching this drama, I knew immediately that Yoshitaka is a character I can easily empathize with. He was at the lowest point in life wherein nothing is going in his favor. His new novel got rejected, his boss didn't like him and just assumed Yoshitaka was taking his job lightly because he was once popular novelist (I honestly think his boss was insecure with him), and he was also not in good terms with his father who treats him like a human ATM.

And then there's Koyanagi whose ideas seemed not to matter with his boss at work, but because he was really passionate in achieving his dream with Yoshitaka, he worked really hard to the extent that he's forgetting the fact that he is a father and a husband and his family needs him too.


I like how human the characters were created. They are not perfect; they have several personal issues in life. I also like how realistic they presented the story. It will make you realize how hard it was to create a book: from brainstorming ideas to make a plot, deciding the themes, elements, setting, characters, writing style, flow of the story, to getting feedback and revising the draft until the writer and the person who made the feedback were both satisfied with the final manuscript.

"After a long time, I felt like I have now remembered how to breathe. Creating a novel is fun but difficult. To be able to share such feelings with someone is exhilarating."

You can really feel Yoshida and Koyanagi's frustrations and hard work that you can't help but cheer them on. I also like how they support and strengthen each other, even the way they fight each other after speaking what's on their mind. It is important to have someone who believes in you, that you can do it, that you’ll be alright, that you’re not as worthless as you think you are, especially in times you yourself don’t think the same way. Someone who you can openly speak your troubles with and frankly tells you when you are wrong. Someone you can have arguments with and understands you enough that he won't take it against you if you've said something completely stupid or childish when you're not in your best self.

There were scenes that really touched me and warmed my heart, especially that arc about Koyanagi's family. They also dealt with topics like accepting honest criticism and I like how Yoshida grew up from someone who couldn't keep his cool when being criticized and even blamed the critic for not reading his work hard enough to someone who can calmly take criticism, agree with the critic, and openly discuss how to improve the novel.


But despite everything I've said, there is something off about this drama. At the latter half of the series, I find myself losing interest in it as it's becoming repetitive, and formulaic. (Very much like what I felt watching First Class.) There are scenes which felt like the creator is trying too hard to keep the tension high all throughout the story that it ended up being unnatural and anticlimactic. It is also disappointing that they concentrated too much on Yoshida getting his novel published that they forgot they could use the best-selling author Nonomiya-sensei as his rival: the right person to beat if they want to be called the "King of Novels". 

All conflicts were smoothly resolved, but I am not satisfied with the way the story went off to a different direction nor on how it was ended. I am not pleased with how the "I want to be the King of Novels" became "the King of Novels are the readers".

Cinematography was quite typical. Songs used in the drama were upbeat and catchy, while the background songs were well-thought and perfectly blended in the mood of the scenes. Acting wise, the cast did a good job in portraying their respective roles.

Overall, I won't say it's a bad drama. It's a promising work that could have been better. I'm still recommending everyone to watch Shousetsu Ou since we all have different perspectives on things and you guys might like it better than I do. (*˙˘˙*)❥

Rating: ★★☆☆☆
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Original Title:  死命 ~刑事のタイムリミット~ SP
Network: TV Asahi
No. of Episodes: 1
Release Date: May 19, 2019
Cast: Yoshida Kotaro, Kaku Kento, Renbutsu Misako, Nakao Akiyoshi, Yamaya Kasumi
Genre: Mystery, drama, police procedural, investigation
Notes: Based on a novel, 1 hour and 41 minutes

book cover of the original novel

Review:

Truth be told, I watched this drama SP because of the cast, so when I started watching it, I literally have no idea about the plot. Turns out to be a really good story worth recommending to everyone who loves mystery/police drama like me.

The story centers about Tokyo MPD First Division Detective Aoi Ryo who, during the investigation of a serial murder case, was diagnosed with a recurrence of the stomach cancer he had three years ago. Still, he decided to focus on arresting the serial killer instead of getting hospitalized for his treatment. Now, here comes the most interesting part of the plot: the killer was also suffering from stomach cancer and his days were already numbered. So he decided to give in to his homicidal impulses and started roaming the streets at night to kill women.

Both the police detective and the criminal were currently in the face of life or death ( 死命~ shimei) situation and yet they were both determined to carry out their own separate missions (指名~ shimei).
I find it really fascinating because I have never watched nor read a story like this before. I also like the fact that as audience, we are given the chance to see the sides and struggles of both the detective and the criminal. This isn't exactly a whodunit mystery since we are initially introduced to the culprit way before the police managed to find out his identity. More like a whydunit because at the end of the SP, the reason why the criminal turned out that way was revealed.

I love the backstory of the characters and their relationship with one another. I love character developments, the sprinkle of comic relief, the sharp pangs of realism and social issues, the soft pat on the shoulder of life lessons, and the tension, edginess, pacing, and execution. It was a roller coaster ride of emotions. At one scene, you will smile and laugh, at another, you will feel nervous and on the edge of your seat, then you will feel sad, and troubled, if not disturbed.

Overall, it was really a satisfying drama SP and I'm really glad I watched it. Kudos to everyone behind this wonderful show!

Rating: ★★★★☆
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Original Title: ユリゴコロ (Yurigokoro)
Author: Numata Mahokaru
Translator: Jonathan Lloyd-Davies
Format: Hardcover, 253 pages

Blurb:
What if everything you thought you knew about your family was a lie?
A young  man makes a shocking discovery while visiting his parents’ home. Along with a purse and a lock of hair that may have belonged to his recently deceased mother, Ryosuke finds three journals with notes that seem to be the confessions of a murderer.
Now, he has to figure out what’s fact, what’s fiction... and who are these people he’s called “Mom” and “Dad.”
Available for the first time in English, Nan-Core is an unsettling, unrelentingly suspenseful tale from one of Japan's most intriguing novelists.

Review:
"Is it totally acceptable that we met only to suffer afterwards?
Did we find each other only to fall apart, as some form of punishment for my sins?" 

I was very excited to read this novel because I have previously watched its movie adaptation Yurigokoro and I loved it! It was well-written and insanely good, like five-perfect-stars kind of good! So in case you haven't seen it yet, I really recommend you to watch it. You won't regret it, I promise!
   
Yurigokoro trailer

So I bought my copy of the book on my local go-to bookshop on Facebook which sells various pre-loved and remaindered books online.

I started reading it with knowledge of what will happen in the story, and I guess that's where I went wrong. After I put down the book, I sighed because I ended up being quite disappointed with it. Yes, this is one of the few instances wherein the movie was better than the original novel.
Sample page

Although I love how easy it was to read, I couldn't help but point out that the translation was a bit cringey and there were also a few typos in the book. The format or style of how it was written was awkward especially when it's the father's turn to narrate his part of the story. It should've been better if all have been in third person point of view except for the notebooks.

Another factor would be the change in the title to "Nan-Core". To me, it seemed like they were trying too hard to find an English equivalent to a unique and special word that was only created for this novel. They should've just stick with the original title instead.

Still, I gave it a pretty high score because I still love the whole story and it was something you wouldn't read very often.

Rating: ★★★★☆
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こんにちは。I'm Jonna. I started learning Japanese a few years ago and would like to improve my skills by engrossing myself with Japanese literature and dramas. Welcome to my blog and enjoy your stay! (〃' ᴗ '〃) ♡

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